The 19 ugliest motorcycles ever made — number 7 will shock you

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Brace yourself! The following journey into questionable taste will challenge everything you thought you knew about motorcycle design. The world of two wheels is filled with beauty, but sometimes even the best brands have taken a sharp turn onto the boulevard of oddities—and thousands have (inexplicably) gone along for the ride. Here are some of the ugliest motorcycles in history, and yes, number 7 will do more than make you raise your eyebrows.

When Form Misses Function

  • There are bikes out there so ugly, they’ve managed to loop around and become fascinating. One prime example debuted in 1958 (making a comeback in 1965), boasting objectively insufficient ground clearance, making it a challenge to ride for even the bravest souls. As if that weren’t enough, its performance was also shockingly poor. A feast for neither the eyes nor the adrenaline gland.
  • And then came the so-called « widow factory ». Imagine a machine that ranks among the fastest, but safety is guaranteed only if you keep it perfectly straight—very straight! Handling was among the worst ever recorded, and the braking system left even more to be desired. No, you’re not imagining it: the uninspired lines certainly did nothing to help its already dismal performance.

Turbos, Colors, and Plastic—Oh My!

  • From 1978 to 1983, one motorcycle terrified the respectful taste not just with its graceless silhouette but with the audacious word « turbo » splashed on its exhaust. Instead of casting a magical spell, this word raised a flurry of questions above every rider’s head. And unfortunately, there were plenty of reasons to worry: congenital engine and aerodynamic issues, not to mention color choices so bewildering (think brass-colored wheels on plastic-heavy fairings) that owning one felt like a dare.
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Number 7 Will Shock You… It’s a Whole Brand

  • At spot number 7, it’s curveball time: it’s not a single bike—it’s an entire brand. Moto Guzzi, the legendary Italian manufacturer, certainly engraved its name in motorcycle history, especially at home. Still, there’s no overlooking the brand’s, well, « particular » lines. While Moto Guzzi has had its moments of design brilliance, the usual hallmarks are bold reds and non-sinuous geometry (put politely, with deep respect for Genoa’s historic house). Their character is undeniable, but elegance? Not always invited to the party.

Design Nightmares and Other Italian Experiments

  • Among off-road wannabes, one stands apart with an unquestionably questionable appearance. It aimed to be an off-road solution but failed so spectacularly that even the bravest riders reconsidered. It’s not just beaten with the ugly stick—handling, suspensions, and braking are all so problematic that its green, frog-like looks are the least of its worries.
  • Fast forward to 2003: another Italian player released what can only be described as an abomination, the result of switching from « road » to « multi-road. » The line is so ill-defined, so indecisive, that it loops back into the realm of the curiously interesting—if you have a taste for nightmares. Sure, a slice of the market loved it for its competitive offering in uncharted territory, but overall, let’s call this a learning experience best left behind.
  • Sometimes, even legends like BMW go a little wild. The BMW K1 was born in pursuit of revolutionary aerodynamics, but in the process, designers took things so far that words fail. The result? A heavy, unwieldy beast, as confirmed by its spot at number 3 on this dubious top ten.
  • Feeling déjà vu between the bikes at positions 3 and 4? You’re not imagining it. One from 1988, the other 1989, in a rivalry reminiscent of the US-Soviet moon race—yet here, each new effort only seemed to make things worse. The point was ultimate speed on a straight—perhaps 400 km/h in a desert—never mind actually riding it like a normal person. Once finished, you’d just want to park it, walk away, and try to forget those unsettling lines.
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When Big Brands Go Wrong

  • Sometimes, you have to wonder where a brand’s decision-makers are mentally when they greenlight a bike—are they drafting a shopping list or distracted by their kid’s report card? Honda, a stalwart with crisp, established lines, apparently lost the plot with a model nobody asked for. More than its undisputed hideousness, it came with a price tag over €25,000 and an oversized 1832 cc engine. Everything was exaggerated, merely for the sake of excess—and defeat.
  • And the winner is… Harley Davidson. In Milwaukee, between 1960 and 1965, after decades of glorious service, surviving the ’29 crisis and two world wars, someone at HQ must’ve gotten bored. Picture the scene: bosses lounged in their chairs, hands behind heads, suddenly exclaiming, « You know what? Let’s make a cool scooter! We’re too awesome; it can’t go wrong! » So, they produced the Topper. Five years and some stretching later, wiser heads prevailed: « Let’s stop this scooter business. We’re better at choppers and customs. »

In Conclusion: While beauty may lie in the eye of the beholder, some motorcycles test the limits of even the most imaginative vision. From questionable revivals to whole brands defined by unharmonious lines, the ugliest bikes remind us that daring to be different can lead to both iconic and infamous results. Next time you see a motorcycle that stops you in your tracks, remember: somewhere, someone once greenlit worse.

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